From ArtDaily.org:
"
The Last Days of Pompeii: Decadence, Apocalypse, Resurrection" opens in Cleveland
The eruption of Mount
Vesuvius in A.D. 79 destroyed, yet paradoxically preserved the ancient
city of Pompeii, providing a vivid glimpse into the daily lives of
ancient Romans. Since the rediscovery of the site in the 1700s,
centuries of leading artists—from Piranesi, Ingres and Alma-Tadema to
Duchamp, Rothko, Warhol and Gormley — have been inspired to re-imagine
it in paintings, sculpture, photographs, performance and film. While
exhibitions dedicated to the archaeology of Pompeii have been numerous,
this is the first time this ancient city and cataclysmic event is
explored through the lens of modern creators and thinkers. Featuring
nearly 100 works, The Last Days of Pompeii: Decadence, Apocalypse,
Resurrection will be on view from February 24 through July 7, 2013.
More Information:
http://artdaily.com/index.asp?int_sec=2&int_new=60950#.UStUXfKetHF[/url]
Copyright © artdaily.org
The eruption of Mount
Vesuvius in A.D. 79 destroyed, yet paradoxically preserved the ancient
city of Pompeii, providing a vivid glimpse into the daily lives of
ancient Romans. Since the rediscovery of the site in the 1700s,
centuries of leading artists—from Piranesi, Ingres and Alma-Tadema to
Duchamp, Rothko, Warhol and Gormley — have been inspired to re-imagine
it in paintings, sculpture, photographs, performance and film. While
exhibitions dedicated to the archaeology of Pompeii have been numerous,
this is the first time this ancient city and cataclysmic event is
explored through the lens of modern creators and thinkers. Featuring
nearly 100 works, The Last Days of Pompeii: Decadence, Apocalypse,
Resurrection will be on view from February 24 through July 7, 2013.
More Information:
http://artdaily.com/index.asp?int_sec=2&int_new=60950#.UStUXfKetHF[/url]
Copyright © artdaily.org
The eruption of Mount
Vesuvius in A.D. 79 destroyed, yet paradoxically preserved the ancient
city of Pompeii, providing a vivid glimpse into the daily lives of
ancient Romans. Since the rediscovery of the site in the 1700s,
centuries of leading artists—from Piranesi, Ingres and Alma-Tadema to
Duchamp, Rothko, Warhol and Gormley — have been inspired to re-imagine
it in paintings, sculpture, photographs, performance and film. While
exhibitions dedicated to the archaeology of Pompeii have been numerous,
this is the first time this ancient city and cataclysmic event is
explored through the lens of modern creators and thinkers. Featuring
nearly 100 works, The Last Days of Pompeii: Decadence, Apocalypse,
Resurrection will be on view from February 24 through July 7, 2013.
More Information:
http://artdaily.com/index.asp?int_sec=2&int_new=60950#.UStUXfKetHF[/url]
Copyright © artdaily.org
The eruption of Mount
Vesuvius in A.D. 79 destroyed, yet paradoxically preserved the ancient
city of Pompeii, providing a vivid glimpse into the daily lives of
ancient Romans. Since the rediscovery of the site in the 1700s,
centuries of leading artists—from Piranesi, Ingres and Alma-Tadema to
Duchamp, Rothko, Warhol and Gormley — have been inspired to re-imagine
it in paintings, sculpture, photographs, performance and film. While
exhibitions dedicated to the archaeology of Pompeii have been numerous,
this is the first time this ancient city and cataclysmic event is
explored through the lens of modern creators and thinkers. Featuring
nearly 100 works, The Last Days of Pompeii: Decadence, Apocalypse,
Resurrection will be on view from February 24 through July 7, 2013.
More Information:
http://artdaily.com/index.asp?int_sec=2&int_new=60950#.UStUXfKetHF[/url]
Copyright © artdaily.org
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"The Last Days of Pompeii: Decadence, Apocalypse, Resurrection" opens in
Cleveland
The untitled sculpture by Anthony Gormley is shown during an exhibition
called "The Last Days of Pompeii: Decadence, Apocalypse, Resurrection"
at The Cleveland Museum of Art Friday, Feb. 22, 2013, in Cleveland.
Gormley's sculpture was inspired by Gormley's 2002 visit to Pompeii. The
exhibition will be on view from Feb. 24 through July 7, 2013.
CLEVELAND, OH.- The eruption of Mount Vesuvius in A.D. 79 destroyed, yet
paradoxically preserved the ancient city of Pompeii, providing a vivid
glimpse into the daily lives of ancient Romans. Since the rediscovery of
the site in the 1700s, centuries of leading artists—from Piranesi,
Ingres and Alma-Tadema to Duchamp, Rothko, Warhol and Gormley — have
been inspired to re-imagine it in paintings, sculpture, photographs,
performance and film. While exhibitions dedicated to the archaeology of
Pompeii have been numerous, this is the first time this ancient city and
cataclysmic event is explored through the lens of modern creators and
thinkers. Featuring nearly 100 works, The Last Days of Pompeii:
Decadence, Apocalypse, Resurrection will be on view from February 24
through July 7, 2013.
Organized by the Cleveland Museum of Art and the J. Paul Getty Museum,
the title of the exhibition, The Last Days of Pompeii: Decadence,
Apocalypse, Resurrection, is inspired by Edward Bulwer-Lytton’s Last
Days of Pompeii, an incredibly popular 1834 novel that combined a
Victorian love story with sensational subplots of pagan decadence,
Christianity and volcanic eruption. The book was presented as
archaeologically accurate and helped transform Pompeii into a place to
stage fiction. It captivated generations of readers, prompted tourists
to visit the site and inspired many works of art in a wide variety of
media.
“Each generation creates a new Pompeii for themselves,” stated Jon
Seydl, exhibition co-organizer and The Paul J. and Edith Ingalls Vignos,
Jr. Curator of European Paintings and Sculpture (1500-1800) at the
Cleveland Museum of Art. “It’s an astonishingly rich subject for
artists, who have returned over and over again to Pompeii, remaking it
to suit the preoccupations of their own time.”
Mixing chronology and media, the exhibition breaks down according to
three broad themes. Decadence looks at why we consider Pompeii as a
place of luxury, sex, violence and excess. Apocalypse explores Pompeii
as the archetype of disaster—the cataclysm to which all others are
compared—from the American Civil War and the bombing of Hiroshima and
Nagasaki to 9/11. And Resurrection considers how Pompeii has become a
place to re-create and recast the ancient past.
The Last Days of Pompeii: Decadence, Apocalypse, Resurrection contains
six galleries of remarkable works of art exploring these ideas from more
than fifty public and private collections in Europe and the United
States, including the Louvre, the National Gallery of Art in Washington,
the Philadelphia Museum of Art and the Museum of Modern Art. Appearing
only in Cleveland is a suite of ten large paintings by Mark Rothko,
preliminary studies for the Seagram Building commission in the late
1950s. Rothko eventually withdrew from the project, and this is the
first time these ten works have been exhibited in the same space. Also
appearing in the Cleveland show is a 1991 installation called The Dog
from Pompei by American artist, Allan McCollum, which brings together 16
replicas of perhaps the best-known of all the body casts from Pompeii, a
startling work that has a powerful impact on the visitor.
“The scale of the disaster and the remarkable archaeological record have
inspired some of the most interesting and important artists of the last
three centuries,” stated Seydl. “All these artists used Pompeii to
create entirely new stories that tell us much more about their own time
than about antiquity.”
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CLEVELAND, OH.- The
eruption of Mount Vesuvius in A.D. 79 destroyed, yet paradoxically
preserved the ancient city of Pompeii, providing a vivid glimpse into
the daily lives of ancient Romans. Since the rediscovery of the site in
the 1700s, centuries of leading artists—from Piranesi, Ingres and
Alma-Tadema to Duchamp, Rothko, Warhol and Gormley — have been inspired
to re-imagine it in paintings, sculpture, photographs, performance and
film. While exhibitions dedicated to the archaeology of Pompeii have
been numerous, this is the first time this ancient city and cataclysmic
event is explored through the lens of modern creators and thinkers.
Featuring nearly 100 works, The Last Days of Pompeii: Decadence,
Apocalypse, Resurrection will be on view from February 24 through July
7, 2013.
More Information:
http://artdaily.com/index.asp?int_sec=2&int_new=60950#.UStUXfKetHF[/url]
Copyright © artdaily.org
CLEVELAND, OH.- The
eruption of Mount Vesuvius in A.D. 79 destroyed, yet paradoxically
preserved the ancient city of Pompeii, providing a vivid glimpse into
the daily lives of ancient Romans. Since the rediscovery of the site in
the 1700s, centuries of leading artists—from Piranesi, Ingres and
Alma-Tadema to Duchamp, Rothko, Warhol and Gormley — have been inspired
to re-imagine it in paintings, sculpture, photographs, performance and
film. While exhibitions dedicated to the archaeology of Pompeii have
been numerous, this is the first time this ancient city and cataclysmic
event is explored through the lens of modern creators and thinkers.
Featuring nearly 100 works, The Last Days of Pompeii: Decadence,
Apocalypse, Resurrection will be on view from February 24 through July
7, 2013.
More Information:
http://artdaily.com/index.asp?int_sec=2&int_new=60950#.UStUXfKetHF[/url]
Copyright © artdaily.org
The eruption of Mount
Vesuvius in A.D. 79 destroyed, yet paradoxically preserved the ancient
city of Pompeii, providing a vivid glimpse into the daily lives of
ancient Romans. Since the rediscovery of the site in the 1700s,
centuries of leading artists—from Piranesi, Ingres and Alma-Tadema to
Duchamp, Rothko, Warhol and Gormley — have been inspired to re-imagine
it in paintings, sculpture, photographs, performance and film. While
exhibitions dedicated to the archaeology of Pompeii have been numerous,
this is the first time this ancient city and cataclysmic event is
explored through the lens of modern creators and thinkers. Featuring
nearly 100 works, The Last Days of Pompeii: Decadence, Apocalypse,
Resurrection will be on view from February 24 through July 7, 2013.
More Information:
http://artdaily.com/index.asp?int_sec=2&int_new=60950#.UStUXfKetHF[/url]
Copyright © artdaily.org
The eruption of Mount
Vesuvius in A.D. 79 destroyed, yet paradoxically preserved the ancient
city of Pompeii, providing a vivid glimpse into the daily lives of
ancient Romans. Since the rediscovery of the site in the 1700s,
centuries of leading artists—from Piranesi, Ingres and Alma-Tadema to
Duchamp, Rothko, Warhol and Gormley — have been inspired to re-imagine
it in paintings, sculpture, photographs, performance and film. While
exhibitions dedicated to the archaeology of Pompeii have been numerous,
this is the first time this ancient city and cataclysmic event is
explored through the lens of modern creators and thinkers. Featuring
nearly 100 works, The Last Days of Pompeii: Decadence, Apocalypse,
Resurrection will be on view from February 24 through July 7, 2013.
More Information:
http://artdaily.com/index.asp?int_sec=2&int_new=60950#.UStUXfKetHF[/url]
Copyright © artdaily.org
